Automatic Saturation Compensation (ASC) is a patented Electro-Voice technology that delivers outstanding audio performance from transformer-isolated loudspeakers on 70V/100V systems. ASC preserves low-frequency performance while presenting a stable load to the amplifier – regardless of the number of loudspeakers connected in parallel. As a result, ASC-equipped loudspeakers – including subwoofers – sound virtually identical, whether they are used with a transformer or without.
Adapted from EV’s concert sound systems, EV’s Peak Anticipation Limiter algorithm prevents speakers from damage due to over excursion and the hard-clipping of the amplifier. Protect your speaker, protect your performance, protect your investment.
EV’s patented Signal Synchronized Transducer waveguide design saves space while improving acoustic performance. The waveguide (or “horn”) is placed forward in the enclosure to help time-align the low- and high-frequency transducers (a.k.a. the woofer and tweeter).
Electro-Voice’s patented Variable-D eliminates this disadvantage. On the rear side of the diaphragm there is a perforated pipe (interference duct) with precise sonic slots at set distances. The duct provides maximum damping that is completely uncolored and undistorted at 180° off-axis, ensuring the same frequency response as if the source was nearly on-axis. This characteristic is particularly beneficial when the performer (announcer, vocalist or instrumentalist) moves around while addressing the microphone. And this same attribute is why radio announcers and DJs have chosen Electro-Voice Variable-D microphones for decades.
Housed in a low-profile enclosure that tucks neatly into ceilings and corners, the Variable Intensity (VI) loudspeaker configuration is based on an innovative 2-way design in which the mounting angle of the woofer and the downward-facing asymmetrical waveguide work together to evenly cover a clearly defined, rectangular audience area with single loudspeaker system.
When multiple subs are stacked together (at least two, one facing front, one facing rear), choose "CARDIOID" in the QuickSmartDSP menu on the rear-facing sub to reduce bass output on stage at the rear of the array by up to 30 dB. No additional processing is required. The benefits? Tighter-sounding low end, feedback prevention, reduction of on-stage volume and vibration, and fewer noise complaints!
Parametric Equalizer
Parametric Equalizer
Parametric EQ for professional sonic detailing – quickly and precisely adjust the amplitude of audio signals at particular frequencies. Fine-tune to eliminate unwanted sounds (such as feedback) or to boost specific tones, e.g. vocals or instruments.
Dual Tilt Angle
Dual Tilt Angle
Gives you the choice of aiming your speakers at either zero degrees or 7.5 degrees downward - position as needed to cover your audience evenly from front to back.
Delay Distance
Delay Distance
For even distribution of sound in larger venues where multiple loudspeakers are used. Set delay distance via the QuickSmartDSP menu to accurately align output so your audience experiences clear, consistent audio coverage throughout the venue. Seamless sound – quick and easy!
Class-D Amplifier
Class-D Amplifier
- Class-D amplifier design combines high-power output with energy efficiency and light weight.